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DANSE ORIENTALE AU RESTAURANT LIBANAIS DE BRUXELLES GIORGIO



Video Title : DANSE ORIENTALE AU RESTAURANT LIBANAIS DE BRUXELLES GIORGIO
Description : Belly dance is a Western name for an Arabic style of dance developed in the Middle East. Some American devotees refer to it simply as "Middle Eastern Dance". In the Arabic language it is known as raqs sharqi رقص شرقي ("eastern dance") or sometimes raqs baladi رقص بلدي ("national" or "folk" dance). The term "raqs sharqi" may have originated in Egypt. The term belly-dance is a creation of Orientalism, and is first attested in English in 1899, translating French danse du ventre. Raqs Sharqi belly dancing consists of movements that are initiated by the feet and executed throughout the body. The focus of the dance is the pelvic and hip area. It is, fundamentally, a solo improvisational dance with its own unique dance vocabulary that is fluidly integrated with the music's rhythm. Raqs Sharqi dancers internalize and express the emotions evoked by the music. Appropriately, the music is integral to the dance. The most admired Raqs Sharqi dancers are those who can best project their emotions through dance, even if their dance is made up of simple movements. The dancer's goal is to visually communicate to the audience the emotion and rhythm of the music. This is especially apparent during the drum solo portion of a performance. Many see Raqs Sharqi as a woman's dance, celebrating the sensuality and power of being a mature woman. A common school of thought believes that young dancers have limited life experience to use as a catalyst for dance.[citation needed] Sohair Zaki, Fifi Abdou, Lucy, Nagwa Fouad, and Dina are all popular Egyptian dancers above the age of forty. Despite the fame of female dancers, men often perform Raqs Sharqi as well. Egyptian-style belly dance is based on the work of belly dance legends Samia Gamal, Tahiya Karioka, Naima Akef, and other dancers who rose to fame during the golden years of the Egyptian film industry. Later dancers who based their styles partially on the dances of these artists are Sohair Zaki, Fifi Abdou, and Nagwa Fouad. All rose to fame between 1960 and 1980, are still popular today, and have nearly risen to the same level of stardom and influence on the style. Though the basic movements of Raqs Sharqi have remained the same, the dance form continues to evolve. Nelly Mazloum and Mahmoud Reda are noted for incorporating elements of ballet into Raqs Sharqi and their influence can be seen in modern Egyptian dancers who stand on relevé as they turn or travel through their dance space in a circle or figure eight. In Egypt, three main forms of the traditional dance are associated with belly dance: Baladi/Beledi, Sha'abi and Sharqi. Egyptian belly dance was among the first styles to be witnessed by Westerners. During Napoleon's invasion of Egypt (the campaign which yielded the Rosetta stone, leading to the translation of Egyptian hieroglyphics), Napoleon's troops encountered the Ghawazee tribe. The Ghawazee made their living as professional entertainers and musicians. The women often engaged in prostitution on the side, and often had a street dedicated to their trade in the towns where they resided, though some were quasi-nomadic. At first the French were repelled by their heavy jewelry and hair, and found their dancing "barbaric", but were soon lured by the hypnotic nature of their movements[citation needed]. The most important non-Egyptian forms of belly dance are the Syrian/Lebanese and the Turkish. أو مايسمى بالرقص العربي أحيانا أو الرقص البلدي، وهو نوع من الرقص ينحصر غالبا بالنساء. توجد منه عدة فروع رئيسية: الرقص المصري. الرقص التركي. الرقص العراقي. الرقص الخليجي. الرقص المغربي.
Views : 17823
Rating : 3.06
Keywords, Tags : DANSEUSE ORIENTALE DIANA LIBANAISE RESTAURENT MONT LIBAN BRUXELLES giorgio BABES KEBBE NAYYE KAFTA TABBOULE FOODS commercials short film web series performing arts advertising entertainment news
Video Length : 5 : 1


Comments :

saret khityara diana wa kil yom nafes el shii nafes el ra2oss wel aghanehh aslan ma bta3ref ter2osss hiweyeh la tale33 masareh bi bruxelles ana 3ayesh bi bxl i now what is happen in leb restaurent there , there nothing............ fashlinnnnnnnnnnnnn..

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Hey, can anyone tell me the title of this song.. I have its MP3 but no title!

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I agree with MaleikaB

The spins are makin' dizzy!!! Dance! Raks do something but spin!!!! I don't feel the emotion translated from the music to her hips or feet. It's thouroughy described and you did a great job in supporting the dance culture. But find a better rak'asa...

salam, you summed it /the history of the dance) up really really well! only i have to agree with maleika: this dancer is neither soulful, nor talented !!!

Sympa la danceuse !!!


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