Dr. McLuhan- The Shamans Garden: Anishnaabe Traditions and the Roots of Morrisseaus Global Vision
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Dr. McLuhan- The Shamans Garden: Anishnaabe Traditions and the Roots of Morrisseaus Global Vision
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Dr. Elizabeth McLulan on April 17th., was the second guest speaker in aig+c's (Advanced Institute for Globalization Culture) speakers series at Lakehead University.
Wawatay News was there and writes this report.
Heritage society to document Norval Morrisseau's art
by: Rick Garrick - Wawatay News C. 2009
Arts Entertainment
The Norval Morrisseau Heritage Society is looking to research and document Norval Morrisseaus artwork in a catalogue raisonné.
April 30, 2009: Volume 36 #09, Page A2
We are trying to produce a catalogue raisonné, a document or book that has everything he has produced, said Dr. Elizabeth McLuhan, one of the directors with the Norval Morrisseau Heritage Society and an independent writer/curator who worked with Morrisseau in the 1970s and 1980s when she was curator of the Thunder Bay National Exhibition Centre and Centre for Indian Art (Thunder Bay Art Gallery). The ultimate catalogue this is a huge job.
McLuhan spoke about Morrissaeus work during her presentation, The Shamans Garden: Anishnaabe Traditions and the Roots of Morrisseaus Global Vision, which she delivered at Lakehead University on the evening of April 17.
He (Morrisseau) believed the Anishinabe culture had a great deal to say to the world, McLuhan said. From the beginning, he worked in both worlds.
Teresa Magiskan and Dr. Elizabeth McLuhan reacquaint themselves during McLuhans April 17 presentation on Norval Morrisseau, entitled The Shamans Garden: Anishnaabe Traditions and the Roots of Morrisseaus Global Vision. The two women worked together at the Thunder Bay Art Gallery in the early 1980s.
McLuhan said Morrisseau had a landmark exhibit at the Pollock Gallery in Toronto in 1962.
It was an overnight success, McLuhan said. He was declared a genius by the local papers in Toronto.
Five years later, he had a solo exhibition in France. There were 12,000 people who attended, including Picasso and Chagall.
McLuhan said Governor General Michaëlle Jean was so taken by Morrisseaus painting Androgyny that she currently has it hanging in her residence in Ottawa.
Androgyny is Norvals masterpiece, McLuhan said. It represents his understanding of Ojibwe cosmology. The title represents the Anishinabe world view that we are all male and female.
McLuhan said there were virtually no other Aboriginal artists in Canada when Morrisseau began his career; contemporary native artists were expected to meet western expectations.
Morrisseau used his art to record the oral traditions of the Anishinabe at a time when those traditions seemed to be disappearing, bridging the gap between ancient tradition and contemporary art and Aboriginal and non-aboriginal cultures.
It was an urgent task to undertake, McLuhan said. Norval was an active student he would go and find the pictograph sites.
McLuhan described Morrisseaus images, from figures contained by solid lines and even sometimes secondary lines to connecting lifelines to ovoids.
The divided ovoids are in fact life sources, McLuhan said. Before Norval, we had these nineteenth century representations.
Teresa Magiskan, Anishinawbe Mushkikis traditional co-ordinator who worked with McLuhan 27 years ago at the Thunder Bay National Exhibition Centre, said Morrisseaus focus on the oral traditions brought about a renewal of Anishinabe heritage.
Norval captured the traditions of our people, Magiskan said. That is how our culture was renewed. You can still see the renaissance of our culture in our communities.
The Norval Morrisseau Heritage Society began preparation for the catalogue raisonné in 2006 by compiling a comprehensive registry of all the known works attributed to Morrisseau. Over 1,960 works have been registered to date, from over 70 museums and galleries and over 1,600 private collectors in Canada, the United States and around the world.
Catalogue raisonnés are usually completed for artists of exceptional calibre and significance, such as Pablo Picasso, Andy Warhol and David Milne; the Norval Morrisseau catalogue raisonné will be the first completed for an Aboriginal artist in Canada.