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Hayward Gallery,London....
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1 : 56 |
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Launch of Book "Carnival of Perception", preface by Yve-Alain Bois
21 July 2004 |
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"Artificial Lightning" (aka "The Origin of Painting") by Disinformation - electromagnetic sound and shadow wall, autodestructive portraiture and experimental painting installation, live at The Hayward Gallery, London, UK, April to July 2000 (where this installation was set-up directly opposite an exhibit by Brian Eno). Special thanks to Tim and Jamie Register and David Toop. 36,000 people came to see the exhibition, and The Financial Times described Disinformation's exhibit as "actively thrilling". The installation functions as a form of contemporary Vanitas painting, as Sci-Fi author Jeff Noon wrote in The Independent - "peole are fascinated by this work - it brings a shiver, a sudden recognition of death, as though we have seen or heard our own ghost".
The Hayward Gallery installation was visited by choreographer Saburo Teshigawara (with dancer Kei Miyata and photographer Ravi Deepres), and inspired the dance producton "Luminous" on which Disinformation worked with Saburo's dance company Karas in Tokyo in 2001. "The Origin of Painting" also inspired a project called "Anti Matter" (exhibited at The Huddersfield Art Gallery, The Mac in Birmingham, Wrexham Arts Centre etc) - a Disinformation video which explores themes suggested by ideas of the physicist Paul Dirac.
"Sonic Boom" at The Hayward Gallery featured installations by Disinformation, Christian Marclay, Lee Ranaldo (of Sonic Youth), John Oswald, Brian Eno, Ryoji Ikeda, Mariko Mori, Pan Sonic, Paul Burwell (RIP), Stephan Von Heune, Angela Bulloch, Chico Macmurtrie, Greyworld, Russell Mills, Ian Walton, Philip Jeck, Paul Schutze, Rafael Toral, Robin Rimbaud / Scanner, Joao Paulo Feliciano, Max Eastley, Heri Dono, Thomas Koner, Christina Kubisch and Project DARK. Many of the ideas documented in Disinformation's section of the "Sonic Boom" catalogue reappreared (several years later) in a series of works by Christina Kubisch called "Electrical Walks".
Disinformation also contributed to a (separate) CD project called "C4i". Some time later, lawyers acting for "Sonic Boom" contributor Ryoji Ikeda threatened to sue Disinformation for "defamation" for the crime of pointing out (to an employee of London's Barbican Centre) a rather obvious conceptual similarity between the original "C4i" project and Ryoji's later project "C4i" (which was commissioned by Yamaguchi Center for Arts and Media - YCAM, in Japan, with its touring funded by the Japan Foundation). The record company that released the original "C4i" CD - Staalplaat, is the same company that released Ryoji's "Time and Space" and "Mort Aux Vaches" CDs, Ryoji's lawyer argued that the 2 "C4i" projects could not be related however, because Ryoji's title was an acronym for the term "Command, Control, Communications, Computing and Intelligence" - a term which happens to be a direct quote from the front cover of the original "C4i" CD !
http://www.spiderbytes.com/ambientrance/c4i-c.htm
http://www.residentadvisor.net/review-view.aspx?id=3691
http://www.staalplaat.com/search/catalog/9395
The 35mm cinema version of a new Disinformation project called "Fire in the Eye", commissioned by Threshold Studios, premieres at The Edinburgh International Film Festival on Saturday 21 June, details from http://www.edfilmfest.org.uk |
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art, white cube filled with smoke |
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http://www.myspace.com/stephlife1 Not sure where this gallery is - maybe in France of London? Centre Georges Pompidou, Musée du Louvre, Musée d'Orsay, The National Gallery, London, Tate Gallery, National Portrait Gallery, London, Royal Academy of Arts, London, Hayward Gallery, South Bank, London, The Saatchi Gallery, County Hall, London. I traveled alot and I got all my photos mixed up on my pc cause I didnt label them! Tell me where this was. My guess is that its in France and London! |
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"The Origin of Painting" by Disinformation - luminous graffiti, live electromagnetic sound and shadow photography, autodestructive portraiture and experimental painting installation, live at Fabrica Gallery, Brighton, UK, November 2001. "The Origin of Painting" has been exhibited at NIMK / Nederlands Instituut voor Mediakunst / Montevideo (Amsterdam), the Sonar festival at CCCB (Barcelona), The Hayward Gallery (London), The Huddersfield Art Gallery, Wrexham Arts Centre, The Mac (Birmingham), South Hill Park (Bracknell), Q Gallery (Derby), Saltburn Artists Projects (Teeside), Quay Arts (Isle of Wight), Fabrica (Brighton), The Ashcroft Arts Centre (Fareham), in a Festival of Light organised by Home Live Arts and Moti Roti (London), on The Brunswick Centre housing estate in Kings Cross (London), for The Wembley Public Art Programme (London), for "The Art of Permanence and Change" (in a disused railway tunnel under Sydenham Hill Woods, London), at Study Gallery of Modern Art (Poole), and in a "Major" Music TV Awards event at Palau Sant Jordi - the Olympic Stadium in Barcelona.
Special thanks to Matthew Miller, Jonathan Swain, Liz Whitehead and Danny Wilson. For this exhibition, Fabrica also commissioned the Disinformation "Spellbound" DVD and a "National Grid" video installation by Barry Hale. Artist group Semiconductor (Ruth Jarman and Joseph Gerhardt) were (non-contributing) artists in residence during this exhibition, and went on to produce a whole raft of exhibits that closely resemble Disinformation's (much earlier) work with eg - amplified electromagnetic fields, natural VLF radio AND solar astronomy etc. 9,300 people came to see this show.
This Disinformation installation was first exhibited under the title "Artificial Lightning" at The Hayward Gallery in London in April 2000. The installation takes its current name from the painting "The Maid of Corinth, or The Origin of Painting" depicted by Joseph "Wright of Derby" in 1782 (and Disinformation's tribute was exhibited at Q Arts, 35 Queen Street, Derby in June 2004, just a few doors from Wright's former home at 26 Queen Street, Derby). This exhibit also inspired the production "Luminous" by experimental choreographer Saburo Teshigawara, on which Disinformation worked with the Japanese dance company Karas. "The Origin of Painting" also inspired a project called "Anti Matter" (exhibited at Huddersfield, Wrexham etc) - a Disinformation video which explores themes suggested by ideas of the physicist Paul Dirac.
Disinformation catalogues and CDs are available from http://www.strangeattractor.co.uk/shoppe/shop_disinformation.html |
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This sequence features brief extracts from "Blackout (The Antiphony Video Supplement)" by Disinformation - Barry Hale's highly influential (and frequently copied) film of concrete parabolic air-defence Sound Mirrors, built at various sites on the UK coast between WW1 and WW2. "Blackout" was conceived as an installation supplement to Sound Mirror images by photographer Julian Hills (taken in January 1996) which appear on the sleeve of the Disinformation "Antiphony" double remix CD, published by the record company Ash International in 1997 [1] [2].
Barry Hale's Sound Mirror video has been shown at NTT ICC (Tokyo), The Royal College of Art (London), Galerie fur Zeitgenossische Kunst (Leipzig), The Art House (London), Schirn Kunsthalle (Frankfurt), The Dom (Moscow), and exhibited at The ICA (London), CCCB (Barcelona), The Mac (Birmingham), Now 1999 (Nottingham), Waygood Gallery (Newcastle), Quay Arts (Isle of Wight), Wrexham Arts Centre, South Hill Park (Bracknell), Saltburn Artists Projects, Q Gallery (Derby), Study Gallery of Modern Art (Poole), Event Gallery (London), Ginza Art Lab (Tokyo) and The Latvian National Museum of Art.
Documentation of the Disinformation project appears in The Wire magazine in 1997; in "100% Pylon" by Angus Carlyle, pp. 68-83, "Themepark" 2, 2000; in The Hayward Gallery "Sonic Boom" catalogue, pp. 26-29, 2000; the "Sound Art - Sound as Media" catalogue, pp. 70-73, NTT ICC Tokyo 2000; "The Analysis of Beauty" exhibition catalogue 2003; the "Waves" catalogue, pp. 48-49, Latvian National Museum of Art 2006, and others. The "Antiphony Architectural Supplement" appears in Sound Projector, issue 6, pp. 57-64, 1999.
The long version of this film runs just short of 20 minutes, and (even in 2008) remains one of the most comprehensive visual surveys of these extraordinary structures ever conducted. One element notable by its absence from this edit is the long (and beautiful) abstract sequence which Barry created for the middle of the full version of this film.
This video is virtually identical to later films by Tacita Dean and Lise Autogena, etc [3], and if there is any confusion about the similarity between the original Sound Mirrors film and Tacita Dean's (much later) film "Sound Mirrors", readers should refer to art historian and curator Anda Rottenberg's letter to Art Monthly [4] about the similarity between artist Katarzyna Kozyra's film "Bath House" - of people chatting in a bath house in Budapest, and Tacita Dean's (much later) film "Gellert" - also of people chatting in a bath house in Budapest! What's most surprising is the fact that Tacita Dean's "Sound Mirrors" was commissioned (by The Public Art Development Trust) AFTER these "methods" had been exposed in the art press.
In a virtuoso display of institutional gullibility, a plan by artist Lise Autogena to build 2 new communicating sound mirrors received funding from The Royal Society of Arts "Art for Architecture" scheme, The Arts Council England, Creative Partnerships, Shepway District Council and South East Arts, and support from Arts Catalyst, Demos, Fondation de France, and £70,000 from The National Endowment for Science, Technology and the Arts, despite Autogena freely admitting that (in her own words) she knows "absolutely nothing" [5] about acoustics! Anyone with any knowledge of meteorological or acoustic science would know that any proposal to use parabolic reflectors to transmit human speech across the English channel always was inherently technically unsound. However, when in trouble, reach for the "community", so this expenditure has not only been rationalised as a product of "idealism", but also justified on grounds that it provided opportunities to host workshops teaching schoolkids about (no kidding) "science".
Despite the precedents, Autogena's website declares her ideas to be "groundbreaking" and "innovative" (!) and (equally predictably) contains passages that are almost verbatim quotes from earlier "Antiphony" texts. Writing in The Guardian, Tom Dyckhoff reported Autogena's promise to deliver the finished project "in 2002"... six years later, you'd have thought the penny might have dropped, but resources are still being diverted away from viable projects to try and keep this one afloat. The greater tragedy is that in response to increased public interest, a deep trench has now been cut in front of the main Sound Mirror site, which can only be crossed over a metal swing-bridge, which is normally locked shut - in other words the great and the good have responded to public enthusiasm for the Sound Mirrors, by spending public money on restricting public access to the Sound Mirrors.
[1] http://www.discogs.com/release/117617
[2] http://rixc.lv/waves/en/txt08.html
[3] The correct chronology of these projects is documented in "Listening for the Enemy" by Brian Dillon, pp. 68-71, "Cabinet" 12, New York 2003
[4] Art Monthly, Oct 1998, page 14
[5] "I'm on the Beach" The Guardian, 13 June 2001 |
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An introduction to 'Blind Light', Antony Gormley's new exhibition at the Hayward Gallery London. |
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http://www.strangeattractor.co.uk/shoppe/shop_disinformation.html
"The Origin of Painting" by Disinformation - luminous graffiti, live electromagnetic sound and shadow photography, autodestructive portraiture and experimental painting installation, live at Wrexham Arts Centre, 28 October to 2 December 2006. Exhibition curated by Tracy Simpson. This installation was first exhibited under the title "Artificial Lightning" at The Hayward Gallery in London in April 2000 (with the CD track "Artificial Lightning" being published on the Disinformation "R&D2" CD by the record company Ash International in 1997).
"The Origin of Painting" has also been exhibited at Nederlands Instituut voor Mediakunst / Montevideo (Amsterdam), the Sonar festival at CCCB (Barcelona), The Huddersfield Art Gallery, Wrexham Arts Centre, The Mac (Birmingham), South Hill Park (Bracknell), Q Gallery (Derby), Saltburn Artists Projects (Teeside), Quay Arts (Isle of Wight), Fabrica (Brighton), The Ashcroft Arts Centre (Fareham), in a Festival of Light organised by Home Live Arts and Moti Roti (London), The Brunswick Centre (London), The Wembley Public Art Programme (London), "The Art of Permanence and Change" (in a disused railway tunnel under Sydenham Hill Woods, London), at Study Gallery of Modern Art (Poole), and in a "Major" music TV Awards after-show party at Palau Sant Jordi (the Olympic Stadium in Barcelona).
The installation takes its name from the painting "The Maid of Corinth, or The Origin of Painting" depicted by Joseph "Wright of Derby" in 1782 (and Disinformation's tribute was exhibited at Q Arts, 35 Queen St, Derby in June 2004, just a few doors from Wright's former home at 26 Queen St). This exhibit also inspired the dance producton "Luminous" by experimental choreographer Saburo Teshigawara - on which Disinformation worked with the Japanese dance company Karas (Saburo visited The Hayward Gallery exhibit with photographer Ravi Deepres in April 2000 and visited Disinformation in London several times that year, and Disinformation worked with Saburo in Tokyo in January 2001).
To see this installation as exhibited in 2001, please visit http://www.youtube.com/watch?v=D-DnH0EU0mc
As well as the electromagnetic noise produced by the installation's live and automated soundtrack, this footage also features sounds from a simultaneous Disinformaton DJ set. "The Origin of Painting" also inspired a project called "Anti Matter" (exhibited at Huddersfield, Wrexham etc) - a Disinformation video which explores themes suggested by ideas of the physicist Paul Dirac.
The new 35mm cinema version of a Disinformation project called "Fire in the Eye", commissioned by Threshold Studios, premieres at The Edinburgh International Film Festival on Saturday 21 June, details from http://www.edfilmfest.org.uk |
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Art installation at the Hayward Gallery, London - visitors enter a large, cloud-filled glass box. The cloud is so dense, you cannot see beyond your hand. Adrift in a white void, you are disoriented, fumbling around for direction. |
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Free Running Jam II - http://www.youtube.com/watch?v=a6TpBDJYl3I
Footage from gymnastics on Friday and then a jam at Southbank on Saturday. Filmed with a Panasonic NV-GS300 with wide-angle/fisheye lens.
Featuring CK, Swift, Chima, James, Forbes, George, Stalin, Danny, Cord, Bobby, Davetolomy, Arthur and others!
Some (related) tags: East London Beckton Gym Gymnasium DLR Docklands Light Railway Backflip Backtuck Challenge Frontflip South Bank Festival Pier Sand Royal National Theatre Imax Hayward Gallery Tricking Street Stunts Gymnastics Acrobatics Parkour Free Running Kong Cat Leap 360 Jump Gap Flying Squad March Jam Meeting Gathering |
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Surreal short film made for the Hayward Gallery, London. |
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In the summer of 2007, 31 lifesize statues appeared on the rooftops of London. This was Event Horizon, part of an exhibition by Antony Gormley. Then they were gone. But where did they go?....
Photography: London August 2007, Angel of the North (Gateshead) Sept 2007.
Sequencing: Pictures to Exe v 5.0.
Music: Stiltskin - Inside, ELP/Aaron Copland - Fanfare for the Common Man.
MCPS licence for music copyright clearance.
Photography and realisation © Ian Bateman FRPS MPAGB |
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Amazing exhibition from artist of the moment: Antony Gormley. For the latest info on events happening in London visit www.visitlondon.com, for more videos and the best information source for what's on in London. |
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This is a three minute video of a Demos event at the Hayward Gallery as a part of the South Bank Centre's 100 ideas to change the world festival. Instead of hitching in one speaker with one idea to change the world, we hoped to get 100 people with 100 ideas and then to get them all to meet each other in a speed dating style excercise (hence the title). In the end London had its heaviest snow in a decade, but about 60 people still made it. This gives a rough flavour of what happened. You can also see the new Demos director Catherine Fieschi, in full flow. |
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5 min clip Drawn to Dance site specific performance at the Hayward Gallery, London
Resumen espectaculo Drawn to Dance, concebido especialmente para la Hayward Gallery de Londres |
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The South Bank is home to the UK skateboard scene; so where better to make a film about a skateboarder's collision with an uptight business man than the South Bank? This film was made by young people working with Winstan Whitter, director of the skating documentary "Rollin' Through the Decades" |
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Free runner jumps across 50,000 metres of London |
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Richard Wiseman presents a talk about Laughlab:The scientific search for the worlds funniest joke. This talk was presented at The Hayward Gallery in London. Laughlab was carried out with the British Association for the Advancement of Science. |
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My first dabble in the world of 3d. I came up with the idea for this clip after visiting the Roy Lichtenstein exhibition at the Hayward Gallery, London. |
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See the latest work of art from controversial artist: Tracey Emin. For the latest info on events happening in London visit www.visitlondon.com, for more videos and the best information source for what's on in London. |
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A dystopian vision of the future. Winner of best short film award at Sci-Fi London in 2005 |
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Strange goings-on in a subterranean world of subterfuge and deception. This film was made in response to the Hayward's Undercover Surrealism exhibition |
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There are strange statues all over the South Bank, London!
http://www.london-se1.co.uk/news/view/2712
http://www.london-se1.co.uk/news/view/2682
Antony Gormley - Event Horizon
Music: Kevin MacLeod (used under licence)
(Oh - did anyone see that Doctor Who with the scary angel statues...?) |
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Stop-motion animation created by 45 participants aged 3-12 led by artists Reza Ben Gajra & Paula Coakley at the Hayward Gallery, Southbank Centre in London one rainy summer afternoon in 2007. Participants drew inspiration from the Antony Gormley Blind Light exhibition and focussed in particular on the relationship between mass, space & architecture (and playing around with twisted metal & clay!) |
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installation by antony gormley, hayward gallery |
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installation by antony gormley at the hayward gallery |
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Good little niblets from The Me & You Talk Show at the Hayward, London!
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
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Disinformation and Strange Attractor perform "National Grid" with live mains and static electricity, Corsica Studios, London, 19 Nov 04 - at the launch of "Techgnosis" by Erik Davis (the event also featured writers Mike Jay, Julian Vayne and Kodwo Eshun). "National Grid" was first performed at Blast First's club Disobey on 10 Oct 1996, exhibited at The Museum of Installation, London July 1997 (where Disinformation performed alongside Martin Creed) and published on LP and CD by Ash International in 1996 and 1997.
"Pulsing sub-bass audio suggests associations with the most primal anthropomorphic element in music - the rhythms of the human heart, with foetal and infant hypnagogic sense memories, with seismic activity, the rumble of thunder (Jimi Hendrix claimed that his earliest childhood memory was of a thunderstorm), and even with war. Disinformation's National Grid is a sub-bass installation sourced either from the ambient VLF field radiated by electricity pylons and mains circuits, or, more recently, directly from the output cables of mains transformers. National Grid offers live physical evidence of environmental electromagnetic pollution, a demonstration of the intrinsic musical properties of alternating current, beat-frequency effects, the architectural acoustics of its own exhibition space, a formula for the realisation and suppression of Futurist sound art, a cathartic response to the pressures of urban life, a monolithic soundtrack for the creative genius of electrification and for the bitter conflicts between government and organised labour for political control over supplies to the nation's electrical infrastructure" - "National Grid" / "Stargate" / "Theophany" Ash 3.2 LP copyright 1996.
"National Grid" appears on the Galerie fur Zeitgennossische Kunst (Leipzig) "New Forms" and on The Hayward Gallery "Sonic Boom" exhibition catalogue double CDs, curated by Carsten Nicolai and David Toop. Two remixes of "National Grid" by Wire guitarist Bruce Gilbert appear on the "Antiphony" 2xCD, and a version recorded with Evan Parker appears as "London's Overthrow" on the "Al Jabr" remix CD.
"National Grid" has been exhibited and performed at ZKM (Karlsruhe), the Volksbuhne (Berlin), Fabrica (Brighton), The Royal College of Art, The Lux, the strong rooms 2 stories below The Foundry (all London), the engine room of the trawler Arctic Corsair in Hull, the 13th century chapel at Kettle's Yard and at The Junction (both Cambridge), The Dom (Moscow), and in an underground nuclear warfare command centre near Troywood (Anstruther, Fife).
The Volksbuhne and ZKM presentations were organised by sound artist Christina Kubisch's husband and manager Dieter Scheyhing, with the "National Grid" installations since having a massive (and totally unacknowledged) influence on Christina Kubisch's much later "Electrical Walks". An "Immerse" magazine interview with artist CM von Hausswolff included Disinformation's Disobey concert in a list of events organised by Hausswolff, when Disinformation has never had anything to do with him, although Hausswolff went on to exhibit virtually identical work. Contrary to the impression given by their leaflet, "National Grid" was never a Camden Arts Centre "special commission", and contrary to the impression given by their "Sound Practice" CD, South London Gallery NEVER owned the copyright to ANY version of "National Grid".
The new Strange Attractor vs. Disinformation version of "National Grid" was first performed live at The Royal Institution on 22 May 2004, on the same desk on which Michael Faraday demonstrated some of the most important electrical discoveries in history (in an event curated by writer Tom McCarthy); at Corsica Studios, The Asylum, Cargo, Westbourne Studios (all London), Hull Art Lab, The Junction (Cambridge) and at The Centre for Life (Newcastle) as part of the AV Festival.
Sleevenotes for the Disinformation CD "R&D" (1996) describe ideas that evolved into "National Grid" - "Tuning down into the lowest reaches of the radio spectrum, particularly in night's shadow of the solar wind, the listener enters a world of diverse phenomena, opening an acoustic window on a world alive with electrical activity. VLF whistlers from lightning and thermonuclear EMP ricochet along field lines of the magnetosphere, bouncing between hemispheres of the globe; storms crackle: biostatics whisper, hiss and sigh: televisions scream: pylons and power loops drone and roar: military signals, the musical pulses of navigation systems, timecodes, and coded data broadcast deep beneath the sea. Time and space divided, live 'vivisection' of particle physics, voices, map lines, weapons, mirrors hidden by the illusion of quiet." Ash 2.9 CD copyright 1996.
"R&D2" (1997) also featured VLF radio and electrical noise from the sun, industrial motors, arc welding, photographic flash systems and metro / trains.
http://www.strangeattractor.co.uk/shoppe/shop_disinformation.html |
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SCAN
The work that was to launch Rosemary Butcher on the international touring circuit.
"At first you see the grid: four bodies, incessantly in motion, are sliced by bands of light that delineate the space's latitude and longitude. - Absorbed and then distilled within this confined theatrical space, these images become the stuff that preoccupies SCAN's four bodies"
Susan Foster, Choreography, Collisions & Collaborations. Middlesex University Press, 2005
Visual artist: Vong Phaophanit
Composer: Cathy Lane
Dancers: Henry Montes, Lauren Potter, Fin Walker, Jonathan Burrows
Selected performances:
Dance Festival, Dublin, Ireland
Hayward Gallery, South Bank Centre, London, UK
Kalamata Festival, Greece
Dance Festival, Ghent, Belgium
Dance Festival, Rio, Brazil |
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Installation from the artist Antony Gormley at Hayward Gallery in London. |
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The film of a 3 hour performance at the Hayward Gallery, London speeded up to resemble a slapstick scenario. A Submarine Commander stands in a canoe, sinking to the ground in a leaking paddling pool against a cloud-flocked cityscape. The film is looped twice here. |
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Sometimes the only way to make ends meet is with money.
Selected CobraVision Short Film Competition 2006.
(Uk television premier on ITV2 & ITV4)
Shortlisted 2006 South London Short film Festival
Selected for 2006 Talent Circle Super Shorts Film Festival
Selected for 2006 Hayward Gallery Surreal Shorts |
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london hayward gallery |
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"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
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8 : 24 |
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"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
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9 : 33 |
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"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
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9 : 39 |
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"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
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7 : 34 |
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"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
9 : 11 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
1 : 7 |
|
|
A little walk around the Southbank Centre in London for the exhibition: The Painting of Modern Life at Hayward Gallery |
|
 |
|
| Time : |
|
9 : 41 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
9 : 13 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
9 : 26 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
9 : 18 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
7 : 53 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
9 : 11 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
6 : 15 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
|
| Time : |
|
0 : 17 |
|
|
Antony Gormley's installation at the Hayward Gallery, Southbank, London |
|
 |
|
| Time : |
|
6 : 34 |
|
|
"The Me & You Show," hosted and created by me (Marc Horowitz), is filmed live at The Hayward Gallery's Project Space in London. It's curated by Ralph Rugoff.
CREDITS!!!
Marc Horowitz -- Creator/Writer/Producer/Host
Zach Ayers -- Writer/Producer
Jake Sarfaty -- Director
Martin Schnabl -- Editor/Camera
Catharine O'Gorman -- Assistant Director
Oliver Guy-Watkins -- Writer
Alice McCabe -- Set Design
Jonah Lansman -- Sound
Rachel Taylor -- Set Design
and
Sherman Sam -- Assistant Curator |
|
 |
| | | |
