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Aldrich Museum of Contemporary Art....
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Melodia Gitana - oil on canvas - 40"x 32" - 102cm x 81xm - 2006 by French contemporary artist Maryse Casol.
http://www.marysecasol.com
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http://www.marysecasol.com |
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Installation of the Abby Aldrich Rockefeller Sculpture Garden, The Museum of Modern Art.
Music courtesy of Four Tet and Domino Records. For more information visit www.fourtet.net.
© 2007 The Museum of Modern Art, New York |
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Namgyal Monks visit The Aldrich Museum of Contemporary Art from the Dalai Lama's private monastery in Dharamsala, India for The Compassionate Mandala Tour. The tour includes a Tibetan concert featuring traditional multi-phonic chanting, nomadic songs with modern rhythms and riffs; the creation and dissolution of a sand mandala. |
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47 : 14 |
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Anselm Kiefer Panel: Velimir Chlebnikov and the Sea
Held at The New School, Theresa Lang Community and Student Center on Tuesday, September 12, 2006.
The Aldrich and Vera List Center for Art & Politics at The New School will present a panel discussion on the exhibition Anselm Kiefer: Velimir Chlebnikov, a new installation by the German painter on view at The Aldrich. Harry Philbrick, exhibition curator and Museum director, will moderate a discussion with guest panelists Mark Rosenthal, independent curator, and Andreas Huyssen, Villard Professor of German and Comparative Literature at Columbia University. Exhibition Catalogues are available: http://www.aldrichart.org/shop/index.php?id=4 |
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Roz Chast CBS Special @ the Aldrich Museum |
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Namgyal monks from the Dalai Lama's private monastery in Dharamsala, India, are currently visiting The Aldrich Museum of Contemporary Art to conduct the age-old ceremony which involves the creation and destruction of a traditional sand mandala, a ritual that remains true to one of the most profound tenets in Buddhism—impermanence. |
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6 : 51 |
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Jane Harris: New Painting, Aldrich Contemporary Art Museum, Flame Tree Productions, Paul, McGuirk, 6:53 |
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56 : 7 |
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Native Ameican History and Culture in Contemporary Art at the Aldrich Contemporary Art Museum, Ridgefield, CT (2006). Curated by Richard Klein. Panel Discussion held October 15, 2006 with Paul Chaat Smith and Richard Klein moderating a discussion with four artists (appearing left to right): Marie Watt, Duane Slick, Peter Edlund, and Matthew Buckingham. |
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The mandala is a particularly poignant and important ritual art form. In Tibetan, this art is called dul-tson-kyil-khor, which literally means "mandala of colored powders." Using a metal funnel, the monks patiently and meticulously place millions of grains of brightly colored sand to form intricate geometric designs that contain ancient, spiritual symbols. Visitors of The Aldrich Contemporary Art Museum were welcomed to participate in the dissolution ceremony where the design is destroyed and ritually returned to nature. |
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6 : 17 |
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Tibetan Musician Tenzin Choegyal performs a song called A Mantra of Compassion at a concert at The Aldrich Contemporary Art Musem. This Tibetan concert is a part of the week long Compassionate Mandala Tour held at the Museum. |
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6 : 11 |
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The Aldrich Contemporary Art Museum is pleased to present the Voice & Void panel discussion held September 16th, 2007 featuring curator Thomas Trummer, the first recipient of the Hall Curatorial Fellowship along with artists Rachel Berwick and Julianne Swartz and philosopher David Goldblatt, author of Art and Ventriloquism. |
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5 : 12 |
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Tibetan Musician Tenzin Choegyal performs a nomadic song as a hommage to his parents at a concert at The Aldrich Contemporary Art Musem. This Tibetan concert is a part of the week long Compassionate Mandala Tour held at the Museum. |
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6 : 40 |
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The Aldrich Contemporary Art Museum is pleased to present the Voice & Void panel discussion held September 16th, 2007 featuring curator Thomas Trummer, the first recipient of the Hall Curatorial Fellowship along with artists Rachel Berwick and Julianne Swartz and philosopher David Goldblatt, author of Art and Ventriloquism. |
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6 : 36 |
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Radius is a professional development program organized by The Aldrich Contemporary Art Museum in conjunction with the Ridgefield Guild of Artists and Westport Arts Center to promote the growth and interests of regional artists.
Aldrich director Harry Philbrick presents an enlightening discussion on how artwork is chosen for museum exhibitions. |
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The Aldrich Contemporary Art Museum
Kysa Johnson Exhibition Installation
February 26 - March 11, 2007 |
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24 : 32 |
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The Aldrich Contemporary Art Museum is pleased to present the Voice & Void panel discussion held September 16th, 2007 featuring curator Thomas Trummer, the first recipient of the Hall Curatorial Fellowship along with artists Rachel Berwick and Julianne Swartz and philosopher David Goldblatt, author of Art and Ventriloquism. |
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7 : 23 |
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Radius is a professional development program organized by The Aldrich Contemporary Art Museum in conjunction with the Ridgefield Guild of Artists and Westport Arts Center to promote the growth and interests of regional artists.
Aldrich director Harry Philbrick presents an enlightening discussion on how artwork is chosen for museum exhibitions. |
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0 : 56 |
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www.elainelevyproject.com
Bethany Bristow's newest work consists of a series of large format color photographs created while she travelled across Asia. Ms. Bristow visited eight countries in two months, creating and photographing her temporal sculptural public installations along the way.
The installations were created using materials the artist transported from her studio in New York, which include feathers, corn syrup and sculptural elements made from melted glass bottles and jars,. Ms. Bristow completed each work in situ and photographed them with medium-format film before they were left to face the elements.
Bethany Bristow's installation practices follow in the tradition of psycho-geography which is described by Guy Debord as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals."
To quote the artist: "I specifically chose to do this project in Asia due to the current climate of rapid economic development layered on top of very old social and cultural structures. Each city I interacted with varied in degree of development as well as the age of this growth and concurrent environmental changes. This layering combined with the psycho-geographical impulse of my interventions, heightens the sense of mystery and tension felt in the images. Yet, my desire to create visual harmony and agreement coincided with local cultural and spiritual values. This unconsciously changed the intention of the work from being intellectual and subversive to being more ritualistic and giving."
Ms. Bristow's work becomes a kind of self-portraiture. The sculptural elements are "stand-ins" for the artist. They are her way of intensely connecting with a place foreign to her, melding with the environment and reconciling her status as an outsider.
The resulting photographs capture a fleeting moment in time and highlight the temporal nature of modern life in the ever-changing urban environment. The photographs themselves, while conceptual in nature, express a materiality that is edgy, glossy and lush. As the Asian landscapes photographed background, Bethany Bristow's shimmering new images are warm, colored and magnetic, and have a brand new and strong identity.
Bethany Bristow was born in 1970 in St. Johnsbury, Vermont (U.S.A.). She lives and works in New York. She graduated at the School of the Museum of Fine Arts Boston where she earned a Fifth Year Certificate in 1994.
Bethany Bristow took part to numerous solo and group shows including Greater New York at the P.S. 1 Contemporary Art Center, NY (2005), the Aldrich Museum of Contemporary Art (Ridgefield, CT, 2004), Decordova Annual Exhibition at Decordova Museum and Sculpture Park (Lincoln, MA, 1998). Her works are included the collections of the DeCordova Museum and Sculpture Park (Lincoln, MA), Rose Art Museum (Brandies University, Waltham, MA) and Simmons College (Boston, MA). |
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The Aldrich Contemporary Art Museum
Elana Herzog
Exhibition Installation
February 26 - March 11, 2007 |
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The Aldrich Contemporary Art Museum
Elana Herzog W(E)AVE
Exhibition Installation
February 26 - March 11, 2007 |
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1 : 7 |
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The Aldrich Contemporary Art Museum uses stop frame technology to show Namgyal monks from the Dalai Lama's private monastery in Dharamsala, India, conducting the age-old ceremony of creating and destroying a traditional sand mandala, a ritual that remains true to one of the most profound tenets in Buddhism—impermanence. |
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6 : 25 |
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The Aldrich Contemporary Art Museum is pleased to present the Voice & Void panel discussion held September 16th, 2007 featuring curator Thomas Trummer, the first recipient of the Hall Curatorial Fellowship along with artists Rachel Berwick and Julianne Swartz and philosopher David Goldblatt, author of Art and Ventriloquism. |
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Come early, stay late! The Museum of Modern Art will be open until 9:00 p.m. on Thursdays through August 30. Visit MoMA's collection and our special exhibitions, and enjoy cocktails and an eclectic mix of live music in the Abby Aldrich Rockefeller Sculpture Garden.
Music organized by Olivier Conan, programmer of Barbès performance space.
Sets begin at 5:30 and 7:00 p.m.
For more information on MoMA@Nite, please visit http://www.moma.org.
Photos: Keith Smith
Music: Ljova & The Vjola
Contraband, Las Rubias del Norte
© 2007 The Museum of Modern Art, New York |
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Richard Serra's Torqued Ellipse IV (1998) and Intersection II (1992) being installed in the Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art in preparation for Richard Serra Sculpture: Forty Years (June 3 - September 10, 2007).
For more information on the exhibition, please visit http://www.moma.org/exhibitions/exhibitions.php?id=2866.
Music courtesy of I am Robot and Proud from the album "Grace Days" on Catmobile Records. For more information on I am Robot and Proud, please visit http://www.robotandproud.com
© 2007 The Museum of Modern Art, New York |
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6 : 26 |
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Radius is a professional development program organized by The Aldrich Contemporary Art Museum in conjunction with the Ridgefield Guild of Artists and Westport Arts Center to promote the growth and interests of regional artists.
Aldrich director Harry Philbrick presents an enlightening discussion on how artwork is chosen for museum exhibitions. |
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| Time : |
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7 : 0 |
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The Aldrich Contemporary Art Museum is pleased to present the Voice & Void panel discussion held September 16th, 2007 featuring curator Thomas Trummer, the first recipient of the Hall Curatorial Fellowship along with artists Rachel Berwick and Julianne Swartz and philosopher David Goldblatt, author of Art and Ventriloquism. |
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0 : 56 |
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The Aldrich Contemporary Art Museum
W (E) AVE
Exhibition Installation
February 26 - March 11, 2007 |
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6 : 18 |
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Tibetan Musician Tenzin Choegyal performs a song about a mother crane and and a baby crane on a lake in Tibet at a concert at The Aldrich Contemporary Art Musem. This Tibetan concert is a part of the week long Compassionate Mandala Tour held at the Museum |
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